A 666-Character Review of ‘Onibaba’

Release Date
February 4, 1965
DIRECTOR/WRITER
Kaneto Shindô
STARS
Nobuko Otowa, Jitsuko Yoshimura, Kei Satô
Our Score
9.3

Onibaba is a chilling nightmare of a film. Beautifully shot in contrasty monochrome, night or day, it’s foreboding grasslands make for an apocalyptic setting. Set in war-torn 14th-century Japan, an older woman and her daughter-in-law are murdering scavengers who survive by killing lost soldiers and stripping the bodies of valuables. The corpses are tossed down a secret pit, the bottom of which is a grotesque grave. When a disgraced soldier arrives, an explosive mixture of erotic tension and jealousy arise in this tale of morality. This is a fantastic film from Kaneto Shindo…one of Japan’s foremost auteurs and there have been essays written about its symbolism and leitmotifs. That said, Onibaba is a stylized experience any genre fans should view if they enjoy modern Asian horror.

Reader Rating0 Votes
0
POS
Uncanny cinematography
The third act picks up in the horror as a demon faced samurai arrives
The immersive score is a mix of wind, intense Taiko drumming, and jazz
NEG
The acting can be theatrical at points
Overtly sexual Freudian references can be a little on the nose
9.3

Zeen is a next generation WordPress theme. It’s powerful, beautifully designed and comes with everything you need to engage your visitors and increase conversions.